Paule Palacios Dalens
Paule Palacios-Dalens has a doctorate in aesthetics and history of the visual arts. Her research focuses on the relationship between cinema, books and typography. Since 2014, she has collaborated as author and graphic designer with 202 éditions, which publishes essays on cinema. In 2003, she was awarded the “Bourse Agora” design prize for a project at the ANRT, Atelier national de recherche typographique, involving the design of television subtitles for the deaf and hard-of-hearing.
September 08, 2024
From film to book. Hiroshima in the ‘Blanche’. In the prehistory of “Histoire(s) du cinema” of Jean-Luc Godard
What enigmatic relations of convergence and divergence are woven between literature and cinema? What secret devices aesthetically connect a film, its script-book and the editorial design of that…
July 20, 2020
Jean-Luc Godard, the Typographer with a Movie Camera
Printed or filmed, Jean-Luc Godard’s graphic production surprises by its frequency and formal audacity. Whether inserts or credits, trailers or commercials, press kits or special issues, all of his w…