Alejandro Lo Celso

Alejandro Lo Celso

Alejandro Lo Celso (Loche) worked as an art director for magazines and newspapers in Buenos Aires before graduating with honors from the MA in Typeface Design, Reading University, UK, and from the ANRT, Atelier National de Recherche Typographique in Nancy, France. In 2001 Loche founded PampaType, the first digital type foundry in Argentina, one of the pioneer foundries in the region. Loche’s type designs have received multiple awards from ATypI, Type Directors Club, Morisawa, Creative Review, Typographica, Hii (China), Typographica, Bienal Iberoamericana de Diseño de Madrid, and Tipos Latinos. With more than 20 years of experience in the industry, PampaType’s international team is passionate about designing bespoke typefaces for branding and identity projects, as well as creating catalogue fonts, available on TypeNetwork and Adobe, and on its own website. Loche has taught and lectured extensively on type, lettering and the history of letterforms in various locations in the Americas and Europe. He has also written for magazines and blogs on a variety of topics: information design, infographics, editorial design, typography, type design, type history. Loche lives with his partner and their two children on a quiet hillside in the sierras of Córdoba.

November 24, 2023

Mango & dark chocolate. Designing a script font to match a grotesque?

The Perec super family adds a new style: the Perec Scripte, a script variant that has been a major design and production challenge. Perec Scripte includes two styles of “writing”: bound and unbound let…

March 08, 2023

Perec 2.0: our multi-faceted, unclassifiable and versatile sans serif typeface, now extended

For those of you who know us, you know that we like projects that are hard to classify. This is one of them, and it is one that we like very much, the Perec family: a sans grotesque that has a lot to…

November 28, 2018

Gerard Unger, perfumer of letterforms. (Anecdotes, mementos, and reflections by a grateful student)

I’d come across the name Gerard Unger many times in books and publications before actually meeting him in person. A personal encounter preceded by that much fame is always a curious endeavor. And the f…

May 01, 2018

Reforma. A new voice for an institution with deep roots

We are proud of this project: The design of a typeface for the Universidad Nacional de Córdoba in Argentina, an educational institution of more than 400 years, the first in the country and one of the …

September 15, 2017

Atahualpa. Creating a singular voice in typeface design

This typeface is named after the astonishing guitar player and singer Atahualpa Yupanqui, a central figure to Argentine folk music. ‘Don Ata’, as he was called, was a wise poet with a particularly sen…

April 10, 2017

Rhythm in Type Design

This essay was the original dissertation I wrote for the MA in Typeface Design at the University of Reading, UK, 2000. Since then it has met some popularity. It was slightly adjusted years later for…

January 06, 2017

La Herencia Europea. Parte II

Portada de Tipografía en Latinoamérica editado por Blucher, San Pablo, 2013. Segunda y última entrega del 1er capítulo del libro “Tipografía en Latinoamérica. Orígenes e identidad”, editado por Cecilia Co…

December 05, 2016

La Herencia Europea. Parte I

Portada de Tipografía en Latinoamérica editado por Blucher, San Pablo, 2013. Primera de dos entregas del 1er capítulo del libro “Tipografía en Latinoamérica. Orígenes e identidad”, editado por Cecilia C…

November 23, 2016

A discussion on Type Design Revivalism

This short article touches on the issue of typeface revivalism. It describes the early enthusiasm of recovering type classics in the beginning of 20th century; then it states a revival case study…

February 24, 2010

Margarita frozen? A passionate typeface to dress up giant words

Since its release Margarita have met much sympathy. No doubt it is a passionate type. One can easily relate its anatomy to Romanticism, Neoclassicism, or for that matter to the deeply emotional…

December 24, 2004

Serial Type Families. From Romulus to Thesis

I wrote this essay in 2000 when I was a student at the MA in Type Design at the University of Reading. I intended to explore the history and development of multi-style type families across the 20th…