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Typefaces
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Scriptorium
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Typefaces
Trials
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Scriptorium
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Book
From film to book. Hiroshima in the ‘Blanche’. In the prehistory of “Histoire(s) du cinema” of Jean-Luc Godard
Gerard Unger, perfumer of letterforms. (Anecdotes, mementos, and reflections by a grateful student)
The folds in life
Serial Type Families. From Romulus to Thesis
The Briot project. Part I
A discussion on Type Design Revivalism
Rhythm in Type Design
Andralis
USD
28.00
Jean-Luc Godard, the Typographer with a Movie Camera
Amster. When sharpness meets refinement
Hacer y Componer. Una introducción a la tipografía
Between woodcut miniatures and typefaces for books? The Amster type
El espécimen tipográfico. ¿Herramienta de trabajo u objeto de placer? [Parte II]
About the lazy dog
El espécimen tipográfico. ¿Herramienta de trabajo u objeto de placer? [Parte III]
The Typographic Vault. An invitation to contemplate a constellation of typefaces
La Herencia Europea. Parte I
Mango & dark chocolate. Designing a script font to match a grotesque?
With hollow feet and harlequin hats: Tuscan letters, a prank of lapidary origin? (First part)
Pangramme. Learning type design
USD
26.00
Atahualpa. Creating a singular voice in typeface design
La Herencia Europea. Parte II
Reforma. A new voice for an institution with deep roots
The design of Carolinéale, a humanist sanserif inspired by medieval chant books
Messine
Amster
Amster Versal Iluminada
Borges
Lettres de Toulouse. Toulouse Letters
USD
20.00
Borges Titling
Alejandra Perié
David Kimura
Francisco Gálvez Pizarro
Jérôme Knebusch
José Luis Martín Montesinos
Paule Palacios Dalens
Sébastien Morlighem
Amster y sus glifos voladores: intentos desesperados (y todos fallidos) por explicarlos
Berenjena. A text typeface of delicate spiciness
Borges. A classic and versatile typeface of literary inspiration
Conversations with Thomas Bouillet about his internship at PampaType
Perec 2.0: our multi-faceted, unclassifiable and versatile sans serif typeface, now extended
Tipografía para textos inmersivos: cuando “lo esencial es invisible a los ojos”. Segunda parte
With hollow feet and harlequin hats: Tuscan letters, a prank of lapidary origin? (Second part)
Arlt
Arlt 7 Locos
Arlt Deco
Arlt Lanzallamas
Arlt Título
Pro vs Std
Cathedral Project specimens
Atahualpa
Borges Open
Borges Poema
Carolinéale
Chercán
Perec
Perec Ludique
Perec Scripte
Rayuela
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